reports

2016's political struggles have been reflected on the year's runways. We explore how activity, anxiety, revolt and friendship all came under fashion's microscope.

Recent figures highlight an insidious culture of sexual violence plaguing the city's venues.

With new landmark exhibitions on digital art and data at Whitechapel Gallery and Somerset House in London, what’s changing with digital art as it moves from the web to the gallery?

Hussein Chalayan staged a theatrical masterpiece in Paris, that took in Cuban motifs and riffed on military utilitarianism.

From clear, gift wrapped leggings, to splendorous metallic dresses, Jonathan Anderson's Loewe collection was a masterpiece in how the avant-garde can clash with intense wearability.

As the spring/summer 16 women's shows made it to London, designers from Gareth Pugh to J.W. Anderson questioned the consequences of fun.

In his second menswear show at Gucci, Alessandro Michele dreamed up a sensory overload he said was simply “full of beauty”.

The individual style of Brighton locals, the Royal Pavilion and clubbers spilling out onto the beach inspired a patchwork collection of colourful denim, frilly shirts and paisley jackets.

Following their move from Dalston to Seven Sisters, the father and son design duo explore their new home.

From Tokyo to Shanghai, Astrid Andersen continues her Asian explorations this season.

Following the London collections, Milan – led strongly by Versace and Neil Barrett – is showing an early argument for keeping it real on the menswear front.

Shayne Oliver reimagines the Florentine underground for their show at Pitti Immagine.