Paris Fashion Week

In a soft pink neon-lit show space, Euphoria's Storm Reid opened a collection that evoked both gentle 80s glamour and the extravaganza of Weimar Germany.

Virginie Viard channelled pared-back romance with a dash of equestrian chic in her most streamlined collection yet.

As Paris Fashion Week closes on a week of coronavirus hysteria, Clare Waight Keller's collection was inspired by heroines of the Nouvelle Vague movements.

Pierpaolo Piccioli embraces all-black-everything with his dark collection for dark times.

In an inky black auditorium at the centre of a maze of tunnels Demna's models splashed and stomped through a half-floating, half-sunken world.

In need of softly whispered luxury to put you immediately at ease? Look no further, Nadège Vanhee-Cybulski has you covered.

Rei Kawakubo dug deep into her own archives for an individualistic collection which blended past, present and future to create something thoroughly modern.

Models waded through fog in towering platforms as guests watched a showed that played with giant proportions.

With a scene-stealing final look from Bella Hadid and a soundtrack by No Bra, the show perfectly blended rebellious politics with satirical humour to illustrate the joy of self-expression.

This was the classic runway homage to a rock goddess, but not as we know it. Instead it was a collection infused with optimism, newness, and heaps of sex appeal.

The designer took inspiration from Japanese ceramicist Takuro Kuwata for a PFW collection he described as exceptionally “abstract”.

It explored the conflicting history of the vaults of Paris' Conciergerie, where revolutions and royalty coexisted.