a meeting of minds between lacoste and jean paul goude

As the French label collaborates with Jean Paul Goude on a limited edition capsule collection, we meet the creative director behind its youthful rebirth.

by Lynette Nylander
13 October 2016, 11:05am

Felipe Oliveira Baptista

Felipe Oliveira Baptista has been flipping the script with Lacoste ever since joining the house in 2010. In his role as creative director, the Portuguese born designer has injected the brand, (known mainly for its crocodile-emblazoned polo), with a modern and youthful ease, taking athletic separates, (think tracksuit bottoms, hoodies and pique dresses) and re-contextualising them making them perfect for a busy Generation Z. He is also not afraid of taking the brand to new places - his six year tenure has seen him collaborate with the likes of art director and graphic designer Peter Saville, Japanese streetwear giants, A Bathing Ape and US based store Opening Ceremony. Their newest collaboration has seen Lacoste team up with legendary art director and photographer Jean Paul Goude to re-work the famous croc logo for a limited capsule collection. An acute eye notices that Jean Paul approached his redesign of the crocodile much like the sketches for his notable commercial and campaign work, an approach Jean Paul said he took as he lovingly explains, "I dance and I draw pictures - that's all I can do." As we fete the collection at Paris's Palais de Porte Dorée by way of a live installation, Felipe explains how working with Jean Paul set his creativity alight.

Felipe Oliveira Baptista and Jean Paul Goude. Photography Stephane Cardinale

After working with Peter Saville in 2013, why was it important to reimagine the crocodile logo again? The logo is pretty sacred and easily identifiable at this point so why the need to turn on its head...
The fun thing about this project is to take someone you really respect who has a really strong universe and identity and it's important for the brand to not take itself too seriously. Working with Jean Paul Goude opened up a whole new window of creativity for us.

When you look for contributors to work with on Lacoste, what are some of the attributes you look for?
Someone with a strong point of view. Selfishly for me, it's great to work with people that I have admired for a long time too and have always wanted to work with. Jean Paul Goude definitely has such a dynamic body of work, he takes everything to a different dimension.

What was your first memory of Jean Paul Goude's work?
It's funny because I was in a vintage place in Paris yesterday and found a copy of PHOTO Magazine and I remember buying in 1988 when I was 13, it's one with Grace Jones on the cover and I photographed it and sent it to him yesterday saying "this was one of the first times I had seen your work." That and his work for the bicentenary of the French Revolution really stick out in my mind as my first memories. We all really grew up with the advertising, the Citroen advert with the car coming out of Grace's mouth, and his Egoiste Chanel ad, there are so many memories from childhood.

How did the collaboration first come about?
We met through mutual friends two years ago and he said how much he loved Lacoste and how much he would love to do something. I think he was thinking just photos but I proposed designing something. It was very cool as he got really into it and what is interesting about this is that we really gave him the green card to get involved. We must of met about ten times during the whole process and it was always so inspiring.

Who did you have in mind when you thought about this collection?
Well, it's a re-contextualisation of the polo and by definition the polo is one of the democratic pieces of clothing there is. You really get a window into his world and what he does and he has a very strong point of view. He wanted to do things very old school so my things was to make everything as easy and as seamless as possible.

How do you find collaborating with other people? Are you someone who welcomes another point of view?
The best thing is when you see someone who you've known personally for a long time and actually go through a creative process with them. It was very interesting and freeing, he's still someone who is very youthful in the way he thinks, there is always a lightness to his work and I very much appreciate that. I appreciate it because in my way, I think I like to inject that same fun into my work.

I think he's a reminder that in fashion, everything doesn't have to be so prescriptive…
Yes, he is someone who works in advertising and in fashion but has the vision of an artist. He never sold out and has such consistency. The first time we went to the factory, it took 2 and a half hours and I just spent the whole journey listening to his stories, listening and laughing…


Text Lynette Nylander

Jean Paul Goude
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