what american crime story gets right about the versace story
In this week’s episode of i-D’s fashion podcast, Fash-ON Fash-OFF, we take a look at the latest Versace show and discuss 2018’s most anticipated new series -- American Crime Story: The Assassination of Gianni Versace.
Versace autumn/winter 18. Photography Mitchell Sams.
Fashion can be strange. Fashion can be confusing. Fashion can, at times, be out and out bonkers. But that’s what makes it brilliant.
In this new podcast from i-D, we discuss the highs and lows of Fashion Week, the shows we’re obsessed with and get the front row report from our guests, as we ask -- well, how did we get here?
Gucci models carrying their own severed heads down the runway, Prada playing with its old Sport label, Fendi and its riffing on the Fila logo. Milan Fashion Week can occasionally get a little bit lost between London and Paris, but this season seemed to provide a relatively decent amount of talking points, didn’t it?
Over at the Palazzo Reale, Donatella was paying tribute to Versace women through the ages. She said, “The Clans of Versace know that today nothing is acquired through birth, but rather earned through what they achieve: this is why these women are all Queens to me.”
The collection was titled, Clans, but really -- with its celebration of the house’s devoted clientele -- it could have been called Family, couldn’t it? A thread that’s run through the label since Donatella took over design following the death of her brother, Gianni, in 1997, when he was shot by serial killer Andrew Cunanan on the steps of his Miami home.
His death forms the basis of this season’s American Crime Story. Produced by Ryan Murphy (who won a BAFTA for season one’s The People Vs OJ Simpson) and written by Tom Rob Smith (best known for the very good London Spy), it follows Andrew Cunanan on the path of destruction that leads him to the murder of the iconic designer.
The Versace family have essentially called the series a work of fiction and there is, inevitably, a lot of poetic license. But there’s a lot to take from the show too -- no least the inspired casting of Penelope Cruz as Donatella herself.
Towards the end of the first episode, Penelope as Donatella says: “This company was [Gianni’s] life. When he was sad, it made him happy. When he was sick, it kept him alive. And my brother is still alive, as long as Versace is alive. I will not let that man -- that nobody -- kill my brother twice.”
And that’s what the show is about, right? Whatever poetic license has been taken, it’s about reminding the world of the genius of Gianni Versace. And that’s what it does.
So, in this episode of Fash-ON Fash-OFF we’re talking Milan Fashion Week. We’re ruminating on the week’s best fashions, taking a deep dive into the latest Versace show and talking through episode one of American Crime Story Season 2: The Assassination of Gianni Versace, as we attempt to answer the question -- how did we get here?
This week, I’m joined by i-D Junior Fashion Editor Bojana Kozarevic and i-D Contributing Editor Douglas Greenwood, while i-D Fashion Features Editor Steve Salter reports from the ground.
Every Thursday. Fash-ON Fash-OFF.
You can listen to Fash-On Fash-Off on Acast, Apple or wherever you get your podcasts. If you enjoyed this week’s episode, please do give us a 5 stars rating -- any less will be considered a fundamental personality flaw.