nsfw: the most sexually subversive music videos of all time
Ahead of the release of her book, ‘Justify My Love: Sex, Subversion and Music Video’, Ryann Donnelly celebrates the erotic iconography of her favourite provocative music videos.
naomi campbell and her mom are too cool for xmas dinner in burberry's new film
The holiday campaign also stars M.I.A., Matt Smith, and Kristin Scott Thomas.
m.i.a weighs in on australia's poor treatment of refugees
Imploring our airlines not to aid in their forcible deportation.
sounding off with MIA as her new documentary hits cinemas
“Every girl looks the same, every pop star is the same. Get the lip injections, get the Botox. You’re perfecting yourself for this one app that’s going to go out of fashion in five years.”
watch the full trailer for m.i.a.’s new documentary
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m.i.a. talks exclusively about her first ever merch collection
Following last week’s launch, the rapper, singer-songwriter, record producer, and activist invites us into the world of OHMNI.
m.i.a. is captured by viviane sassen’s dreamy lens for her new video finally
The artist and fashion photographer shoots Maya among pink flowers and sand dunes in the new video for the standout album track.
“why do they want him so bad?” – m.i.a. chats to julian assange and slavoj zizek
The Fly Pirates philosopher sat down with Pervert’s Guide shouty man Slavoj Zizek and Ecuadorian embassy squatter Julian Assange as part of her Meltdown festival curation.
m.i.a’s new video is the ultimate tbt
Shout out to the hardcore fans!
the future is female with madame gandhi
Ahead of her show at London’s Rich Mix this evening, we sat down for a nice chat with sometime M.I.A. drummer Madame Gandhi, about stepping up to the mic and taking centre stage.
m.i.a. on trump, war and being a refugee
“Being a refugee is forever changing...We’re still a blob in the world, we’re faceless, and nobody can say why we’re here.”
m.i.a.'s meltdown festival has a seriously great line up of outlaw musicians
Once you’ve read this, you’ll be rating her curating.